The Ultimate Blue Note Collection (CD1) (2021)
Bitrate (kalite):
192256320
mp3
| 1. | Tenderly | 4:33 | ... | ||
| 2. | Willow Weep For Me | 4:39 | ... | ||
| 3. | Both Sides | 4:39 | ... | ||
| 4. | Blue Bells | 4:26 | ... | ||
| 5. | It's Nice | 4:37 | ... | ||
| 6. | Goin' Home | 3:52 | ... | ||
| 7. | Would N You | 7:10 | ... | ||
| 8. | O Sole Mio | 3:57 | ... | ||
| 9. | Besame Mucho | 4:04 | ... | ||
| 10. | Angel Eyes | 5:12 | ... | ||
| 11. | Time After Time | 4:52 | ... | ||
| 12. | Love Walked In | 6:05 | ... | ||
| 13. | I Could Write A Book | 4:52 | ... | ||
| 14. | Jinne Lou | 4:54 | ... | ||
| 15. | Nothing Ever Changes My Love For You | 3:07 | ... | ||
| 16. | Falling In Love With Love | 6:52 | ... | ||
| 17. | Robbin's Nest | 6:18 | ... | ||
| 18. | Don't Blame Me | 5:16 | ... | ||
| 19. | St. Thomas | 4:24 | ... | ||
| 20. | Down The Track | 5:28 | ... | ||
| 21. | Tracy's Blues | 3:38 | ... | ||
| 22. | That's All | 6:00 | ... | ||
| 23. | Satin Doll | 5:55 | ... | ||
| 24. | Soft Winds | 4:56 | ... | ||
| 25. | Love For Sale | 6:37 | ... | ||
| 26. | Things Ain't What They Used To Be | 8:55 | ... | ||
| 27. | On Green Dolphin Street | 5:37 | ... | ||
| 28. | Loose Walk | 4:56 | ... | ||
| 29. | Li'l Darlin' | 4:52 | ... | ||
| 30. | I'm Beginning To See The Light | 2:29 | ... | ||
| 31. | Tammy's Breeze | 4:29 | ... |
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Discography: Gene Harris
Gene Harris, The Three Sounds — The Ultimate Blue Note Collection (CD1): Değerlendirmeler
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A Very Complete Collection
21.12.2025 itibaren david (Kullanıcının tüm değerlendirmeleri)
A+ for the completeness and a B for the fidelity. The Three Sounds were a great trio that had a solid career going until the departure of Gene Harris. Collaborations with horn players like Stanley Turrentine were well formed, but their intricacy as a trio was their strong point.
Alway in the groove and never straying too far from a 'cocktail room trio' songbook, they were excellent. Even their originals sounded like standards. Never to be remembered in the same manner as groups like MJQ, they are a part of jazz history that deserves its due.
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