| 1. |
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Introduction. And We Begin With A Bang |
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1:02 |
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| 2. |
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COPLAND. Fanfare For The Common Man - On The Battlefields. BEETHOVEN. Wellington's Victory, Op. 91 (Opening) |
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1:04 |
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| 3. |
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At The Opposite Extreme Is The Triangle |
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0:27 |
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| 4. |
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LISZT. Piano Concerto No. 1 In E Flat Major - Scherzo |
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1:22 |
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| 5. |
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Categories Of Percussion. Tuned And Untuned. The Side Drum |
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0:37 |
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| 6. |
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ROSSINI. La Gazza Ladra (The Thieving Magpie) - Overture (Opening) |
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0:53 |
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| 7. |
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The Side Drum In An Effective But Unexpected Role. NIELSEN. Clarinet Concerto (Opening) |
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1:09 |
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| 8. |
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The Tambourine. One Of The Oldest Instruments In The World |
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0:22 |
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| 9. |
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SUSATO (Arr.). Den Hoboecken Dans |
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1:43 |
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| 10. |
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Even Older Is The Originally Oriental Gong |
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0:29 |
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| 11. |
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RAVEL. Ma Merel'oye (Mother Goose) - Laideronette |
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1:01 |
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| 12. |
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In Evoking The Breaking Of Waves. BRITTEN. Passacaglia, Op. 33b (From Peter Grimes) |
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1:00 |
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| 13. |
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But Gongs Don't Have To Be Struck Hard To Be Effective. SATIE. Gymnopedie No. 2 |
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1:02 |
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| 14. |
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The Cymbals. ELGAR. The Sanguine Fan - STUDIO EXAMPLES. Clashed Softly - Struck Singly - Stroked With Wire Brushes |
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1:28 |
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| 15. |
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The Whip. RAVEL. Piano Concerto In G Major (Opening) - TCHAIKOVSKY. The Nutcracker. Act I, Scene 5 |
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1:06 |
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| 16. |
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More Versatile Than The Whip Are The Wood Blocks. STUDIO EXAMPLE |
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0:32 |
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| 17. |
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Cropping Up All Over The Place In 20th C. Music. COPLAND. Rodeo - IV. Hoe-Down |
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0:44 |
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| 18. |
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The Castanets, Related To Woodblocks. GLINKA. Jota Aragonesa |
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1:09 |
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| 19. |
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Used In 17th Century. MONTEVERDI. Scherzi Musicali - Damigella Tutta Bella |
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1:51 |
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| 20. |
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A Still Earlier Example From Fifteenth-Century Spain |
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0:31 |
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| 21. |
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Yo M Enamori D'un Aire (Trad. Sephardic) |
feat Traditional |
1:07 |
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| 22. |
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The Birth Of The Bongo |
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0:34 |
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| 23. |
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BERNSTEIN. Symphonic Dances From West Side Story |
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1:40 |
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| 24. |
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From The Streets Of New York To The Blacksmith's Shop. VERDI. II Trovatore - Act II. Anvil Chorus |
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1:08 |
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| 25. |
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Desert-Island Decibels. GROFE. Grand Canyon Suite. III. On The Trail - VARESE. Arcana |
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1:27 |
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| 26. |
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The Humble Squash, Or Marrow. MONCAYO. Huapango |
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1:20 |
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| 27. |
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Onwards To The Tuned Percussion. First, The Timpani' |
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0:14 |
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| 28. |
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R. STRAUSS. Also Sprach Zarathustra - Introduction |
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1:49 |
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| 29. |
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The Drum Roll. MAHLER. Symphony No. 2, Resurrection' - III. In Ruhig Fliessender Bewegung |
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0:29 |
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| 30. |
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Many Drum Rolls. GROFE. Grand Canyon Suite. I. Sunrise - BERLIOZ. Symphonie Fantastique. V. Songe D'une Nuit De Sabbat |
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0:38 |
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| 31. |
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Taking Advantage Of Tunability |
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0:23 |
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| 32. |
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BARTOK. Music For Strings, Percussion & Celesta - II. Allegro |
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2:25 |
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| 33. |
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A Downward Turn. SHCHEDRIN. Carmen Suite - IV. Changing Of The Guard |
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1:02 |
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| 34. |
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Introducing The Glockenspiel. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera |
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1:16 |
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| 35. |
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Saint-Saens And The Xylophone |
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0:17 |
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| 36. |
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SAINT-SAENS. The Carnival Of The Animals - Fossils |
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1:18 |
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| 37. |
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Ravel And The Xylophone |
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0:11 |
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| 38. |
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RAVEL. Ma Merel'oye (Mother Goose) - Laideronette |
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2:37 |
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| 39. |
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Introducing The Marimba. SHCHEDRIN. Carmen Suite - III. First Intermezzo |
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0:39 |
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| 40. |
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Introducing The Vibraphone |
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0:20 |
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| 41. |
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STEINER. The Treasure Of The Sierra Madre - Narange Dolce |
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1:26 |
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| 42. |
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The Vibraphone Goes Russian, & Is Joined By The Marimba. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera |
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0:57 |
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| 43. |
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Introducing The Hungarian Cimbalom |
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0:24 |
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| 44. |
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Folk Dances (Trad.) |
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3:00 |
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| 45. |
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The Cimbalom And The Symphony Orchestra |
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0:10 |
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| 46. |
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KODALY. Hary Janos Suite - III. Song |
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1:30 |
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| 47. |
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Introducing The Tubular Bells |
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0:17 |
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| 48. |
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KODALY. Hary Janos Suite - II. Viennese Musical Clock |
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2:04 |
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| 49. |
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A More Up-Front Approach From Rodion Shchedrin |
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0:06 |
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| 50. |
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SHCHEDRIN. Carmen Suite - I. Introduction |
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1:09 |
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| 51. |
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The Sinister Made Even More Sinister. VAUGHAN WILLIAMS. Symphony No. 7, Sinfonia Antartica - I. Prelude |
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0:38 |
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| 52. |
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Introducing The Celesta |
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0:14 |
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| 53. |
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TCHAIKOVSKY. The Nutcracker - Dance Of The Sugar Plum Fairy |
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2:11 |
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| 54. |
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Magic, In The Use Of Collective Percussion |
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0:20 |
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| 55. |
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RAVEL. Miroirs - V. La Vallee Des Cloches |
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1:39 |
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| 56. |
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Plucked Instruments, The Undercover Percussion. SHCHEDRIN. Carmen Suite - VI. Scene |
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1:25 |
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| 57. |
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The Harp. TCHAIKOVSKY. The Nutcracker. Act II, Scene - LISZT. Hungarian Rhapsody No. 1 |
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1:16 |
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| 58. |
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The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra |
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0:49 |
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| 59. |
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BACH. Brandenburg Concerto No. 2 - II. Andante |
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3:12 |
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| 60. |
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The Piano, King Of The Tuned Percussion. SAINT-SAENS. Symphony No. 3, Organ' - II. Allegro Moderato |
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1:28 |
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| 61. |
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A Quarter Of A Century After That. STRAVINSKY. Petrushka - Russian Dance |
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4:28 |
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| 62. |
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The Anti-Romantic Piano As An Integral Part Of The Orchestra |
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0:24 |
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| 63. |
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BARTOK. Music For Strings, Percussion & Celesta - IV. Allegro Molto |
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5:07 |
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