Bach At Christmas (2018)
| 1. | Herz Und Mund Und Tat Und Leben, BWV 147 X. Chorale - Jesu, Joy Of Man's Desiring | Choir Of Westminster Abbey | 6:51 | ... | |
| 2. | Weihnachtsoratorium, BWV 248, Pt. I' No. 1. Jauchzet, Frohlocket! | Concerto Köln | 7:28 | ... | |
| 3. | Weihnachtsoratorium, BWV 248, Pt. I' No. 4. Aria. Bereite Dich, Zion' | Concerto Köln | 4:53 | ... | |
| 4. | Weihnachtsoratorium, BWV 248, Pt. I' No. 8. Großer Herr | Concerto Köln | 4:23 | ... | |
| 5. | Weihnachtsoratorium, BWV 248, Pt. Ii' No. 10. Pastoral Symphony | Concerto Köln | 5:35 | ... | |
| 6. | Weihnachtsoratorium, BWV 248, Pt. Ii' No. 15. Frohe Hirten' | Concerto Köln | 3:27 | ... | |
| 7. | Weihnachtsoratorium, BWV 248, Pt. IIi' No. 24. Herrscher Des Himmels | Concerto Köln | 1:52 | ... | |
| 8. | Weihnachtsoratorium, BWV 248, Pt. IV No. 36. Fallt Mit Danken' | Concerto Köln | 4:55 | ... | |
| 9. | Weihnachtsoratorium, BWV 248, Pt. IV No. 42. Jesus Richte Mein Beginnen' | Concerto Köln | 2:05 | ... | |
| 10. | Weihnachtsoratorium, BWV 248, Pt. Vi' No. 54. Herr, Wenn Die Stolzen Feinde | Concerto Köln | 5:09 | ... | |
| 11. | Weihnachtsoratorium, BWV 248, Pt. Vi' No. 64. Nun Seid Ihr Wohl Gerochen' | Concerto Köln | 3:17 | ... | |
| 12. | Wachet Auf, Ruft Uns Die Stimme, BWV 645 | Walter Kraft | 4:30 | ... | |
| 13. | Magnificat, BWV 243 I. Magnificat | Stuttgart Figural Choir | 3:28 | ... | |
| 14. | Magnificat, BWV 243 II. Et Exultavit Spiritus Meus | Stuttgart Figural Choir, Exultavit Spiritus Meus | 2:48 | ... | |
| 15. | Magnificat, BWV 243 IX. Esurientes Implevit Bonis | Stuttgart Figural Choir | 3:11 | ... | |
| 16. | Magnificat, BWV 243 X. Suscepit Israel | Stuttgart Figural Choir | 2:30 | ... | |
| 17. | Magnificat, BWV 243 XII. Gloria Patri' | Stuttgart Figural Choir | 2:35 | ... | |
| 18. | In Dulci Jubilo, BWV 368 | Hartwig Eschenburg | 2:35 | ... | |
| 19. | Lobet Den Herrn, Alle Heiden, BWV 230 Lobet Den Herren, Alle Heiden | Motettenchor Pforzheim | 2:26 | ... | |
| 20. | Lobet Den Herrn, Alle Heiden, BWV 230 Denn Seine Gnade Und Wahrheit | Motettenchor Pforzheim | 1:58 | ... | |
| 21. | Lobet Den Herrn, Alle Heiden, BWV 230 Halleluja | Motettenchor Pforzheim | 1:11 | ... | |
| 22. | Mass In B Minor, BWV 232 No. 2. Kyrie - Christe Eleison | English Chamber Orchestra | 6:07 | ... | |
| 23. | Mass In B Minor, BWV 232 No. 6. Gloria - Laudamus Te | English Chamber Orchestra | 5:19 | ... | |
| 24. | Mass In B Minor, BWV 232 No. 8. Gloria - Domine Deus | English Chamber Orchestra | 5:58 | ... | |
| 25. | Mass In B Minor, BWV 232 No. 18. Credo - Et Resurrexit | English Chamber Orchestra, Resurrexit | 4:50 | ... | |
| 26. | Mass In B Minor, BWV 232 No. 24. Osanna - Osanna In Excelsis | English Chamber Orchestra | 2:49 | ... | |
| 27. | Mass In B Minor, BWV 232 No. 28. Agnus Dei - Dona Nobis Pacem | English Chamber Orchestra | 2:44 | ... | |
| 28. | Magnificat In E-Flat Major, BWV 243a Gloria In Excelsis Deo | Hartwig Eschenburg | 1:16 | ... |
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Album details
Bach At Christmas is listed as Collection with a release date of 2018. The album is connected with Classical categories.
The track list contains 28 tracks with a total running time of 1:45:57. The shortest track is Lobet Den Herrn, Alle Heiden, BWV 230 Halleluja at 1:10, while the longest track is Weihnachtsoratorium, BWV 248, Pt. I' No. 1. Jauchzet, Frohlocket! at 7:27.
Track-level artist information is also available: Herz Und Mund Und Tat Und Leben, BWV 147 X. Chorale - Jesu, Joy Of Man's Desiring credits Choir Of Westminster Abbey; Weihnachtsoratorium, BWV 248, Pt. I' No. 1. Jauchzet, Frohlocket! credits Concerto Köln; Weihnachtsoratorium, BWV 248, Pt. I' No. 4. Aria. Bereite Dich, Zion' credits Concerto Köln; Weihnachtsoratorium, BWV 248, Pt. I' No. 8. Großer Herr credits Concerto Köln; Weihnachtsoratorium, BWV 248, Pt. Ii' No. 10. Pastoral Symphony credits Concerto Köln.
The album is linked to English content languages. The cover artwork has original dimensions 500x500 px and a prepared crop of 500x500 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.
