Luca Ricci: The Colors Have Lost Their Way To Grey (Chamber Music) (2021)
| 1. | The Colors Have Lost Their Way To Grey, Two " Graffiti ": I. In Tempo Moderato, Ma Frenetico (For Guitar) | Alberto Mesirca | 3:48 | ... | |
| 2. | The Colors Have Lost Their Way To Grey, Two " Graffiti ": II. Più Lento (For Guitar) | Alberto Mesirca | 6:58 | ... | |
| 3. | Breccia Nel Suono (For String Trio) | Ensemble Atmusica | 9:31 | ... | |
| 4. | Sonata For Violin And Piano " Intelligenza Naturale " | Marco Fusi | 10:12 | ... | |
| 5. | Studio Per La Sopravvivenza Immateriale (For Violin) | Marco Fusi | 20:17 | ... |
Luca Ricci: The Colors Have Lost Their Way To Grey (Chamber Music) Reviews
Create review for Luca Ricci: The Colors Have Lost Their Way To Grey (Chamber Music)
| Your name: | |
|---|---|
| Review Title: | |
| Rate: | |
|
Review text:
|
|
| Submit | |
Album details
Luca Ricci: The Colors Have Lost Their Way To Grey (Chamber Music) is listed as Collection with a release date of 2021. The album is connected with Classical categories.
The track list contains 5 tracks with a total running time of 50:45. The shortest track is The Colors Have Lost Their Way To Grey, Two " Graffiti ": I. In Tempo Moderato, Ma Frenetico (For Guitar) at 3:48, while the longest track is Studio Per La Sopravvivenza Immateriale (For Violin) at 20:17.
Track-level artist information is also available: The Colors Have Lost Their Way To Grey, Two " Graffiti ": I. In Tempo Moderato, Ma Frenetico (For Guitar) credits Alberto Mesirca; The Colors Have Lost Their Way To Grey, Two " Graffiti ": II. Più Lento (For Guitar) credits Alberto Mesirca; Breccia Nel Suono (For String Trio) credits Ensemble Atmusica; Sonata For Violin And Piano " Intelligenza Naturale " credits Marco Fusi; Studio Per La Sopravvivenza Immateriale (For Violin) credits Marco Fusi.
The album is linked to Italian content languages. The cover artwork has original dimensions 500x500 px and a prepared crop of 500x500 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.





