Classical For Driving: Tchaikovsky 2022 (CD4) (2022)
| 1. | IIc. Danses Caracteristiques. Danse Russe Trepak: Tempo Di Trepak, Molto Vivace | Martha Argerich | 1:04 | ... | |
| 2. | Tchaikovsky: 1812 Overture, Op. 49, TH 49 (Finale) | Chicago Symphony Orchestra, CSO | 1:07 | ... | |
| 3. | Theme | Valentina Lisitsa | 1:29 | ... | |
| 4. | 24. I Wear My Hair In A Plait | Valentina Lisitsa | 1:30 | ... | |
| 5. | 9. All Flowers Fade | Valentina Lisitsa | 1:11 | ... | |
| 6. | 34. Merry Katya | Valentina Lisitsa | 0:35 | ... | |
| 7. | 23. Organ-Grinder's Song | Olli Mustonen | 0:44 | ... | |
| 8. | Var. I: L'istesso Tempo (Live) | Martha Argerich | 0:45 | ... | |
| 9. | 6. Theme Original Et Variations. Variation 6 | Valentina Lisitsa | 0:36 | ... | |
| 10. | 44. Like A Princess In The Town | Valentina Lisitsa | 0:32 | ... | |
| 11. | 23f. Pas De Quatre: Coda | Kirov Orchestra, St Petersburg | 0:39 | ... | |
| 12. | Variazione V: Allegro Moderato | Mischa Maisky | 1:26 | ... | |
| 13. | 28a. Pas De Deux: Intrada | Russian National Orchestra | 1:30 | ... | |
| 14. | No. 5b Grandfather Dance | Berliner Philharmoniker | 1:40 | ... | |
| 15. | 7. July: Song Of The Reaper | Vladimir Ashkenazy | 1:42 | ... | |
| 16. | 3. Tendres Reproches (Live) | Pletnev Mikhail | 2:09 | ... | |
| 17. | Tchaikovsky: Valse Sentimentale, Op. 51 No. 6 | Janine Jansen | 2:02 | ... | |
| 18. | Ecossaise | Orchestra Of The Royal Opera House, Covent Garden | 2:00 | ... | |
| 19. | VI. Valse Sentimentale. Tempo Di Valse | Daniel Lozakovich | 2:22 | ... | |
| 20. | 24. In Church | Olli Mustonen | 2:10 | ... | |
| 21. | No. 4 | Lisa Batiashvili | 1:44 | ... | |
| 22. | No. 14c Pas De Deux. The Prince And The Sugar-Plum Fairy: Variation II (Dance Of The Sugar-Plum Fairy) (Live At Walt Disney Concert Hall, Los Angeles / 2013) | Los Angeles, Los Angeles Philharmonic | 2:21 | ... | |
| 23. | 11. Valse Bleuette (Live) | Pletnev Mikhail | 2:23 | ... | |
| 24. | Scene 1: Finale (Andante) | Andante, Mariinsky Orchestra | 1:49 | ... | |
| 25. | Var. VIII: Fuga (Allegro Moderato) (Live) | Martha Argerich | 2:17 | ... | |
| 26. | 7. The Sick Doll | Olli Mustonen | 1:57 | ... | |
| 27. | 15b. Apotheosis (Arr. Piano) | Valentina Lisitsa | 1:45 | ... | |
| 28. | 2. Mazurka In D Minor (Arr. Piano) | Valentina Lisitsa | 2:22 | ... | |
| 29. | 6. Mazurque Pour Danser (Live) | Pletnev Mikhail | 2:18 | ... | |
| 30. | Var. VI: Tempo Di Valse (Live) | Martha Argerich | 2:12 | ... | |
| 31. | Var. IV. Andante Grazioso | Nemanja Radulovic | 1:52 | ... | |
| 32. | Variation 6 | Valentina Lisitsa | 1:43 | ... | |
| 33. | 12. L'espiegle (Live) | Pletnev Mikhail | 1:51 | ... | |
| 34. | 43. O, My Unspoilt Field | Valentina Lisitsa | 2:15 | ... | |
| 35. | Danse Espagnole (Allegro Non Troppo, Tempo Di Bolero) | Mariinsky Orchestra | 1:54 | ... | |
| 36. | No. 1 Scene (Allegro Giusto) | Royal Concertgebouw Orchestra | 2:17 | ... | |
| 37. | Pas De Caractere: Puss In Boots | Orchestre De Paris | 1:58 | ... | |
| 38. | 1. Adagio - Allegro Non Troppo | Wiener Philharmonic Orchestra | 1:51 | ... | |
| 39. | 21. Daydreams | Olli Mustonen | 2:02 | ... |
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Album details
Classical For Driving: Tchaikovsky 2022 (CD4) is listed as Collection with a release date of 2022. The album is connected with Classical categories.
The track list contains 39 tracks with a total running time of 1:05:44. The shortest track is 44. Like A Princess In The Town at 0:32, while the longest track is 11. Valse Bleuette (Live) at 2:22.
Track-level artist information is also available: IIc. Danses Caracteristiques. Danse Russe Trepak: Tempo Di Trepak, Molto Vivace credits Martha Argerich; Tchaikovsky: 1812 Overture, Op. 49, TH 49 (Finale) credits Chicago Symphony Orchestra and CSO; Theme credits Valentina Lisitsa; 24. I Wear My Hair In A Plait credits Valentina Lisitsa; 9. All Flowers Fade credits Valentina Lisitsa.
The album is linked to English content languages. The cover artwork has original dimensions 500x500 px and a prepared crop of 500x500 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.
