Debussy For A Workday (CD1) (2022)
| 1. | III. Clair De Lune | Alice Sara Ott | 4:55 | ... | |
| 2. | Prélude | Vikingur Olafsson | 3:52 | ... | |
| 3. | I. De L'aube À Midi Sur La Mer | Staatskapelle Berlin | 9:23 | ... | |
| 4. | I. Andantino Con Moto In E Major | Hélène Grimaud | 4:17 | ... | |
| 5. | VI. Pour Les Huit Doigts (1949 Recording) | Monique Haas | 1:28 | ... | |
| 6. | Debussy: Rêverie, L. 68 | Menahem Pressler | 5:28 | ... | |
| 7. | I. Danseuses De Delphes | Monique Haas | 3:23 | ... | |
| 8. | V. Bruyères | Maurizio Pollini | 2:20 | ... | |
| 9. | VIII. La Fille Aux Cheveux De Lin | Vikingur Olafsson | 2:24 | ... | |
| 10. | Debussy: La Plus Que Lente, L. 121 | Hélène Grimaud | 4:15 | ... | |
| 11. | Debussy: L'isle Joyeuse, L. 106 | Seong-Jin Cho | 6:15 | ... | |
| 12. | I. Doctor Gradus Ad Parnassum | Seong-Jin Cho | 2:22 | ... | |
| 13. | 3. Le Vent Dans La Plaine | Maurizio Pollini | 2:10 | ... | |
| 14. | XII. Minstrels | Monique Haas | 2:11 | ... | |
| 15. | 12. Minstrels | Maurizio Pollini | 2:17 | ... | |
| 16. | II. Feuilles Mortes | Maurizio Pollini | 2:25 | ... | |
| 17. | III. Le Vent Dans La Plaine | Monique Haas | 2:14 | ... | |
| 18. | VI. General Lavine - Eccentric | Maurizio Pollini | 2:17 | ... | |
| 19. | VII. Pour Les Degrés Chromatiques | Monique Haas | 2:15 | ... | |
| 20. | X. Canope | Maurizio Pollini | 2:25 | ... | |
| 21. | VI. " General Lavine " - Eccentric | Monique Haas | 2:25 | ... | |
| 22. | IV. The Snow Is Dancing | Seong-Jin Cho | 2:29 | ... | |
| 23. | IX. Hommage À S. Pickwick, Esq., P. P. M. P. C. | Maurizio Pollini | 2:27 | ... | |
| 24. | IX. La Sérénade Interrompue | Monique Haas | 2:29 | ... | |
| 25. | VIII. La Fille Aux Cheveux De Lin | Daniel Barenboim | 2:31 | ... | |
| 26. | XI. Les Tierces Alternées | Maurizio Pollini | 2:28 | ... | |
| 27. | 1. Brouillards | Pierre - Laurent Aimard | 2:29 | ... | |
| 28. | XII. Minstrels | Menahem Pressler | 2:37 | ... | |
| 29. | IX. Hommage À S. Pickwick, Esq., P. P. M. P. C. | Monique Haas | 2:29 | ... | |
| 30. | I. Brouillards | Maurizio Pollini | 2:37 | ... | |
| 31. | XI. Les Tierces Alternées | Monique Haas | 2:31 | ... | |
| 32. | 3. Serenade For The Doll | Alexis Weissenberg | 2:46 | ... | |
| 33. | 11. La Danse De Puck | Maurizio Pollini | 2:45 | ... | |
| 34. | III. La Puerta Del Vino | Maurizio Pollini | 2:37 | ... | |
| 35. | V. Pour Les Octaves | Monique Haas | 2:38 | ... | |
| 36. | I. Doctor Gradus Ad Parnassum | Lang Lang | 2:48 | ... | |
| 37. | I. Pour Les " Cinq Doigts " (D'après Monsieur Czerny) | Monique Haas | 2:41 | ... | |
| 38. | VIII. Ondine | Maurizio Pollini | 2:49 | ... | |
| 39. | III. Serenade For The Doll | Seong-Jin Cho | 2:42 | ... | |
| 40. | VIII. La Fille Aux Cheveux De Lin (1962 Recording) | Monique Haas | 2:46 | ... |
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Album details
Debussy For A Workday (CD1) is listed as Collection with a release date of 2022. The album is connected with Classical categories.
The track list contains 40 tracks with a total running time of 2:00:28. The shortest track is VI. Pour Les Huit Doigts (1949 Recording) at 1:27, while the longest track is I. De L'aube À Midi Sur La Mer at 9:23.
Track-level artist information is also available: III. Clair De Lune credits Alice Sara Ott; Prélude credits Vikingur Olafsson; I. De L'aube À Midi Sur La Mer credits Staatskapelle Berlin; I. Andantino Con Moto In E Major credits Hélène Grimaud; VI. Pour Les Huit Doigts (1949 Recording) credits Monique Haas.
The album is linked to English and French content languages. The cover artwork has original dimensions 1400x1400 px and a prepared crop of 1400x1400 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.
