042 Classical & Contemporary Essentials - Spes (2025)
| 1. | Preludes, Op. 28: No. 4 In E Minor | feat Anna Miernik | 2:30 | ... | |
| 2. | Gavotte, Op. 5, No. 2 (Duo-Art 6993) | 2:46 | ... | ||
| 3. | Six Studies In English Folk Song (Arr. Flute & Piano By Katrina Penman): I. Adagio | feat Katrina Penman | 1:41 | ... | |
| 4. | Humoreske, Op. 20: IV. Innig | feat Harrison Herman | 2:46 | ... | |
| 5. | Xafec De Llum I Tenebres: VI. No Temas | feat Orquestra De Cambra Catalana | 2:49 | ... | |
| 6. | Le Joie De Pierre-Auguste: Adagio. Como Cada Mañana Entre El Dolor Y La Belleza... | feat Irene Cantos | 4:03 | ... | |
| 7. | Ocre Inhalado: III. Religioso | feat Elvira Babiloni | 4:13 | ... | |
| 8. | Dialogos Con Las Estrellas: II. | feat Pablo Martinez | 4:16 | ... | |
| 9. | Techno-Parade | feat Anna Miernik | 4:40 | ... | |
| 10. | Valse Mignonne, Op. 104 In E-Flat Major (Duo-Art 5673) | feat Camille Saint - Saëns | 2:24 | ... | |
| 11. | Valse Mignonne, Op. 104 In E-Flat Major (Welte-Mignon 803) | feat Camille Saint - Saëns | 2:33 | ... | |
| 12. | Mazurka No. 1. Op. 21 In G Minor (Duo-Art 5945) | feat Camille Saint - Saëns | 2:58 | ... | |
| 13. | Valse Nonchalante. Op. 110 In D-Flat Major (Duo-Art 5831) | feat Camille Saint - Saëns | 3:21 | ... | |
| 14. | Mazurka No. 3, Op. 66 In B Minor (Welte-Mignon 799) | feat Peter Phillips | 3:35 | ... | |
| 15. | Suite Algerienne, Op. 60,: No. 3, Reverie Du Soir (Reverie A Blida, Arr. Solo Piano By Saint-Saens) | feat Camille Saint - Saëns | 3:44 | ... | |
| 16. | Mazurka No. 3, Op. 66 In B Minor (Duo-Art 5674) | feat Camille Saint - Saëns | 3:54 | ... | |
| 17. | Samson Et Dalila: Finale To Act I (Arr. Solo Piano By Saint-Saens) (Welte-Mignon 797) | feat Camille Saint - Saëns, Dalila | 4:53 | ... | |
| 18. | Samson Et Dalila (Arr. Solo Piano By Saint-Saens): Improvisation On " Dance Of The Priestesses Of Dagon " & " Spring Voices Are Singi (Duo-Art 5696) | feat Camille Saint - Saëns, Dalila | 5:03 | ... | |
| 19. | Samson Et Dalila: My Heart At Thy Sweet Voice (Welte-Mignon 2260) | feat Dalila, My Heart, Peter Phillips | 5:11 | ... | |
| 20. | Preludes, Op. 28: No. 15 (Raindrop) In D-Flat Major (Welte-Mignon 1319) | feat Ferruccio Busoni, RainDrop | 5:25 | ... | |
| 21. | Etudes, Op. 52: No. 6, Etude En Forme De Valse (Due-Art 6372) | feat Peter Phillips | 5:32 | ... | |
| 22. | Piano Concerto No. 2, Op. 22 (Arr. Solo Piano By Bauer): II. Allegro Scherzando (Duo-Art 5963) | feat Peter Phillips | 5:45 | ... | |
| 23. | Mazurka, Op. 33, No. 4 In B Minor (Welte-Mignon 298) | feat Ossip Gabrilowitsch | 5:48 | ... | |
| 24. | Scherzo No. 3, Op. 39 In C-Sharp Minor (Welte Mignon 265) | feat Sandra Droucker | 6:07 | ... | |
| 25. | Bolero, Op. 19 (Welte-Mignon 880) | feat Peter Phillips | 6:10 | ... | |
| 26. | Nocturne In D-Flat Major, Op. 27, No. 2 (Welte-Mignon 1194) | feat Peter Phillips | 6:11 | ... | |
| 27. | Polonaise, Op. 53 (Heroic) In A-Flat Major (Welte-Mignon 440) | feat Ferruccio Busoni, Heroic | 6:31 | ... | |
| 28. | Ballade No. 3 In A-Flat Major, Op. 47 (Triphonola 50082) | feat Wilhelm Backhaus | 6:49 | ... | |
| 29. | Barcarolle, Op. 60, In F-Sharp Major (Welte-Mignon 1076) | 7:04 | ... | ||
| 30. | Piano Concerto No. 1, Op. 11 (Arr. Solo Piano By Eneri-Gorainoff): II. Romanze - Larghetto (Welte-Mignon 2160) | 7:08 | ... | ||
| 31. | Nocturnes, Op. 37: No. 2 In G Major (Welte-Mignon 364) | feat Teresa Carreno | 7:25 | ... | |
| 32. | Ballade No. 3, Op. 47 In A-Flat Major (Duo-Art 025 Br) | feat Vladimir De Pachmann | 7:30 | ... | |
| 33. | Bolero, Op. 19 (Triphonola 51347) | feat Peter Phillips | 7:32 | ... | |
| 34. | Piano Sonata, Op. 57 'Appassionata': I. Allegro Assai (Welte-Mignon 239) | feat Xaver Scharwenka | 10:23 | ... | |
| 35. | Symphony No. 3, Op. 55, Eroica (Arr. Solo Piano By Lamond): IV. Allegro Molto (Duo-Art 5350) | feat Frederic Lamond | 10:36 | ... | |
| 36. | Leonore Overture No. 3, Op. 72a (Arr. Solo Piano By Ritter) (Welte-Mignon 3130) | feat Franz Ritter | 10:53 | ... | |
| 37. | Fidelio, Op. 72b: Leonore Overture No. 3 (Arr. Solo Piano By Lamond) (Duo-Art 7423) | feat Peter Phillips | 11:10 | ... | |
| 38. | Ruins Of Athens. Op. 113 (Arr. Solo Piano By Busoni): Fantasie (Welte-Mignon 1322) | feat Peter Phillips | 11:35 | ... | |
| 39. | Piano Sonata No. 32 In C Minor, Op. 111: II. Arietta. Adagio Molto, Semplice E Cantabile | feat Fannie Bloomfield Zeisler | 12:53 | ... | |
| 40. | Symphony No. 3, Op. 55, 'Eroica': II. Adagio Assai (Funeral March, Arr. By Grande & Utz) (Welte-Mignon 2312, Arr. 4 Hands Piano) | feat Peter Phillips | 13:20 | ... | |
| 41. | Die Gotterdammerung (Arr. Solo Piano By Paur): Siegfrieds Sterbelied (Welte-Mignon 2565) | feat Emil Paur | 7:59 | ... | |
| 42. | Theme From The Symphony No. 3 Eroica, Op. 55 (Arr. Solo Piano By Miernik) | feat Anna Miernik | 0:38 | ... |
Discography: Rudolph Ganz
Rudolph Ganz — 042 Classical & Contemporary Essentials - Spes: Reviews
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Album details
042 Classical & Contemporary Essentials - Spes is listed as Album by Rudolph Ganz with a release date of 2025. The album is connected with Classical categories.
The track list contains 42 tracks with a total running time of 4:07:20. The shortest track is Theme From The Symphony No. 3 Eroica, Op. 55 (Arr. Solo Piano By Miernik) at 0:38, while the longest track is Symphony No. 3, Op. 55, 'Eroica': II. Adagio Assai (Funeral March, Arr. By Grande & Utz) (Welte-Mignon 2312, Arr. 4 Hands Piano) at 13:19.
Track-level artist information is also available: Preludes, Op. 28: No. 4 In E Minor features Anna Miernik; Six Studies In English Folk Song (Arr. Flute & Piano By Katrina Penman): I. Adagio features Katrina Penman; Humoreske, Op. 20: IV. Innig features Harrison Herman; Xafec De Llum I Tenebres: VI. No Temas features Orquestra De Cambra Catalana; Le Joie De Pierre-Auguste: Adagio. Como Cada Mañana Entre El Dolor Y La Belleza... features Irene Cantos.
The album is linked to English content languages. The cover artwork has original dimensions 1200x1200 px and a prepared crop of 1200x1200 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.
