Paraexpanzin (2005)
Bitrate (quality):
192
mp3
| 1. | Title:... |...:.:::: | 0:10 | ... | ||
| 2. | EXPANZIN - _ Sample: P A R A _ E X P A N Z I N | 1:12 | ... | ||
| 3. | Shift 1> | 0:08 | ... | ||
| 4. | Expansion _ Loop | 0:47 | ... | ||
| 5. | Popul _ Elasticity | 2:30 | ... | ||
| 6. | Shift 2> Locked _ Groove> Vinyl | 0:17 | ... | ||
| 7. | Shift 3> Ambi _ Aquatika | 1:25 | ... | ||
| 8. | Shift 4> Granula 1 | 0:38 | ... | ||
| 9. | Helen'S Misic Box | 0:28 | ... | ||
| 10. | 4'33 " (John Cage)> Granula 2 | 0:38 | ... | ||
| 11. | “listen To The Fish! " | 0:11 | ... | ||
| 12. | Forgetmenot _ Resonnances | 1:39 | ... | ||
| 13. | S _ Creatures _ Residues | 0:47 | ... | ||
| 14. | Hahoir (Locked _ ERS) | 11:36 | ... | ||
| 15. | In _ Mix: Secret Society Music “king” Pt1 | 1:04 | ... | ||
| 16. | Cymbaloo> | 0:35 | ... | ||
| 17. | REPEAT: Dead _ Lock | 1:10 | ... | ||
| 18. | Shift 5> | 0:24 | ... | ||
| 19. | STEREO _ TEST | 0:36 | ... | ||
| 20. | INSEKNO In _ Mix Secret Society Pt2. | 2:30 | ... | ||
| 21. | Ambinsect (1994, Dobruska) | 2:04 | ... | ||
| 22. | " Lamenting Forest " | 7:13 | ... | ||
| 23. | INTERMEZZO> Birdool Fff | 1:06 | ... | ||
| 24. | Time _ Slip> | 2:15 | ... | ||
| 25. | Ambinsect (1994, Frantisky) | 14:48 | ... | ||
| 26. | Balloons (Sound _ Workshop) + In - Mix _ Cry | 5:33 | ... | ||
| 27. | Signal | 0:44 | ... | ||
| 28. | S _ Kwi _ Gnature | 0:10 | ... | ||
| 29. | Sonafon | 13:43 | ... |
Discography: Artificial Memory Trace
Artificial Memory Trace — Paraexpanzin: Reviews
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Album details
Paraexpanzin is listed as Album by Artificial Memory Trace with a release date of 2005. The album is connected with Blues categories.
The track list contains 29 tracks with a total running time of 1:16:06. The shortest track is Shift 1> at 0:07, while the longest track is Ambinsect (1994, Frantisky) at 14:47.
The album is linked to English content languages. The cover artwork has original dimensions 544x600 px and a prepared crop of 600x600 px. The audio quality shown on the page is 192 Kbits/sec.
