Progressive In Motion Vol. 175 (2014)
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| Release date: | 2014 | ||
| Quality: | 192-320 Kbits/sec | ||
| Tracks: | 12 | ||
| Duration: | 01:16:46 | ||
| Genre: | Trance, Progressive Trance |
Whole album purchase discount 10%
| 1. | Circle Track (Radio Edit) | Arston, Jake Reese | 3:20 | ... | |
| 2. | Yamantau (Original Mix) | Max Meyer | 6:27 | ... | |
| 3. | The Wonder (Original Mix) | Jennifer Rene, Hazem Beltagui | 8:15 | ... | |
| 4. | Incomplete (Original Mix) | Cathy Burton, Dart Rayne, Yura Moonlight | 6:50 | ... | |
| 5. | In Your Hands | Richard Durand, Fisher | 6:24 | ... | |
| 6. | Avulsion (Original Mix) | Dis Play | 5:45 | ... | |
| 7. | Faded (Original Mix) | Assaf, Moscow Noir | 7:50 | ... | |
| 8. | Fall With You (Gary Afterlife Remix) | Braiman, Shersick | 7:29 | ... | |
| 9. | AirTonic (Witness45 Remix) | George Kamelon | 8:28 | ... | |
| 10. | Anchor (Original Mix) | Tritonal | 4:54 | ... | |
| 11. | The Dark (Kevin Wild & Judah Remix) | Boom Jinx, Meredith Call | 5:47 | ... | |
| 12. | The Method To Love (Original Mix) | SirensCeol, Aloma Steel | 5:21 | ... |
Progressive In Motion Vol. 175 Reviews
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Album details
Progressive In Motion Vol. 175 is listed as Collection with a release date of 2014. The album is connected with Trance and Progressive Trance categories.
The track list contains 12 tracks with a total running time of 1:16:46. The shortest track is Circle Track (Radio Edit) at 3:20, while the longest track is AirTonic (Witness45 Remix) at 8:28.
Track-level artist information is also available: Circle Track (Radio Edit) credits Arston and Jake Reese; Yamantau (Original Mix) credits Max Meyer; The Wonder (Original Mix) credits Jennifer Rene and Hazem Beltagui; Incomplete (Original Mix) credits Cathy Burton, Dart Rayne, and Yura Moonlight; In Your Hands credits Richard Durand and Fisher.
The album is linked to English content languages. The cover artwork has original dimensions 500x500 px and a prepared crop of 500x500 px. The audio quality shown on the page ranges from 192 to 320 Kbits/sec.
