The Instruments Of The Orchestra (CD5) (2002)
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192256320
mp3
| 1. | Introduction. And We Begin With A Bang | 1:02 | ... | ||
| 2. | COPLAND. Fanfare For The Common Man - On The Battlefields. BEETHOVEN. Wellington's Victory, Op. 91 (Opening) | 1:04 | ... | ||
| 3. | At The Opposite Extreme Is The Triangle | 0:27 | ... | ||
| 4. | LISZT. Piano Concerto No. 1 In E Flat Major - Scherzo | 1:22 | ... | ||
| 5. | Categories Of Percussion. Tuned And Untuned. The Side Drum | 0:37 | ... | ||
| 6. | ROSSINI. La Gazza Ladra (The Thieving Magpie) - Overture (Opening) | 0:53 | ... | ||
| 7. | The Side Drum In An Effective But Unexpected Role. NIELSEN. Clarinet Concerto (Opening) | 1:09 | ... | ||
| 8. | The Tambourine. One Of The Oldest Instruments In The World | 0:22 | ... | ||
| 9. | SUSATO (Arr.). Den Hoboecken Dans | 1:43 | ... | ||
| 10. | Even Older Is The Originally Oriental Gong | 0:29 | ... | ||
| 11. | RAVEL. Ma Merel'oye (Mother Goose) - Laideronette | 1:01 | ... | ||
| 12. | In Evoking The Breaking Of Waves. BRITTEN. Passacaglia, Op. 33b (From Peter Grimes) | 1:00 | ... | ||
| 13. | But Gongs Don't Have To Be Struck Hard To Be Effective. SATIE. Gymnopedie No. 2 | 1:02 | ... | ||
| 14. | The Cymbals. ELGAR. The Sanguine Fan - STUDIO EXAMPLES. Clashed Softly - Struck Singly - Stroked With Wire Brushes | 1:28 | ... | ||
| 15. | The Whip. RAVEL. Piano Concerto In G Major (Opening) - TCHAIKOVSKY. The Nutcracker. Act I, Scene 5 | 1:06 | ... | ||
| 16. | More Versatile Than The Whip Are The Wood Blocks. STUDIO EXAMPLE | 0:32 | ... | ||
| 17. | Cropping Up All Over The Place In 20th C. Music. COPLAND. Rodeo - IV. Hoe-Down | 0:44 | ... | ||
| 18. | The Castanets, Related To Woodblocks. GLINKA. Jota Aragonesa | 1:09 | ... | ||
| 19. | Used In 17th Century. MONTEVERDI. Scherzi Musicali - Damigella Tutta Bella | 1:51 | ... | ||
| 20. | A Still Earlier Example From Fifteenth-Century Spain | 0:31 | ... | ||
| 21. | Yo M Enamori D'un Aire (Trad. Sephardic) | feat Traditional | 1:07 | ... | |
| 22. | The Birth Of The Bongo | 0:34 | ... | ||
| 23. | BERNSTEIN. Symphonic Dances From West Side Story | 1:40 | ... | ||
| 24. | From The Streets Of New York To The Blacksmith's Shop. VERDI. II Trovatore - Act II. Anvil Chorus | 1:08 | ... | ||
| 25. | Desert-Island Decibels. GROFE. Grand Canyon Suite. III. On The Trail - VARESE. Arcana | 1:27 | ... | ||
| 26. | The Humble Squash, Or Marrow. MONCAYO. Huapango | 1:20 | ... | ||
| 27. | Onwards To The Tuned Percussion. First, The Timpani' | 0:14 | ... | ||
| 28. | R. STRAUSS. Also Sprach Zarathustra - Introduction | 1:49 | ... | ||
| 29. | The Drum Roll. MAHLER. Symphony No. 2, Resurrection' - III. In Ruhig Fliessender Bewegung | 0:29 | ... | ||
| 30. | Many Drum Rolls. GROFE. Grand Canyon Suite. I. Sunrise - BERLIOZ. Symphonie Fantastique. V. Songe D'une Nuit De Sabbat | 0:38 | ... | ||
| 31. | Taking Advantage Of Tunability | 0:23 | ... | ||
| 32. | BARTOK. Music For Strings, Percussion & Celesta - II. Allegro | 2:25 | ... | ||
| 33. | A Downward Turn. SHCHEDRIN. Carmen Suite - IV. Changing Of The Guard | 1:02 | ... | ||
| 34. | Introducing The Glockenspiel. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera | 1:16 | ... | ||
| 35. | Saint-Saens And The Xylophone | 0:17 | ... | ||
| 36. | SAINT-SAENS. The Carnival Of The Animals - Fossils | 1:18 | ... | ||
| 37. | Ravel And The Xylophone | 0:11 | ... | ||
| 38. | RAVEL. Ma Merel'oye (Mother Goose) - Laideronette | 2:37 | ... | ||
| 39. | Introducing The Marimba. SHCHEDRIN. Carmen Suite - III. First Intermezzo | 0:39 | ... | ||
| 40. | Introducing The Vibraphone | 0:20 | ... | ||
| 41. | STEINER. The Treasure Of The Sierra Madre - Narange Dolce | 1:26 | ... | ||
| 42. | The Vibraphone Goes Russian, & Is Joined By The Marimba. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera | 0:57 | ... | ||
| 43. | Introducing The Hungarian Cimbalom | 0:24 | ... | ||
| 44. | Folk Dances (Trad.) | 3:00 | ... | ||
| 45. | The Cimbalom And The Symphony Orchestra | 0:10 | ... | ||
| 46. | KODALY. Hary Janos Suite - III. Song | 1:30 | ... | ||
| 47. | Introducing The Tubular Bells | 0:17 | ... | ||
| 48. | KODALY. Hary Janos Suite - II. Viennese Musical Clock | 2:04 | ... | ||
| 49. | A More Up-Front Approach From Rodion Shchedrin | 0:06 | ... | ||
| 50. | SHCHEDRIN. Carmen Suite - I. Introduction | 1:09 | ... | ||
| 51. | The Sinister Made Even More Sinister. VAUGHAN WILLIAMS. Symphony No. 7, Sinfonia Antartica - I. Prelude | 0:38 | ... | ||
| 52. | Introducing The Celesta | 0:14 | ... | ||
| 53. | TCHAIKOVSKY. The Nutcracker - Dance Of The Sugar Plum Fairy | 2:11 | ... | ||
| 54. | Magic, In The Use Of Collective Percussion | 0:20 | ... | ||
| 55. | RAVEL. Miroirs - V. La Vallee Des Cloches | 1:39 | ... | ||
| 56. | Plucked Instruments, The Undercover Percussion. SHCHEDRIN. Carmen Suite - VI. Scene | 1:25 | ... | ||
| 57. | The Harp. TCHAIKOVSKY. The Nutcracker. Act II, Scene - LISZT. Hungarian Rhapsody No. 1 | 1:16 | ... | ||
| 58. | The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra | 0:49 | ... | ||
| 59. | BACH. Brandenburg Concerto No. 2 - II. Andante | 3:12 | ... | ||
| 60. | The Piano, King Of The Tuned Percussion. SAINT-SAENS. Symphony No. 3, Organ' - II. Allegro Moderato | 1:28 | ... | ||
| 61. | A Quarter Of A Century After That. STRAVINSKY. Petrushka - Russian Dance | 4:28 | ... | ||
| 62. | The Anti-Romantic Piano As An Integral Part Of The Orchestra | 0:24 | ... | ||
| 63. | BARTOK. Music For Strings, Percussion & Celesta - IV. Allegro Molto | 5:07 | ... |
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